naram sin victory stele translation
naram sin victory stele translation
In the 12th century B.C.E., a thousand years after it was originally made, the Elamite king, Shutruk-Nahhunte, attacked Babylon and, according to his later inscription, the stele was taken to Susa in what is now Iran. A stele is a vertical stone monument or marker often inscribed with text or relief carving. 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Victory Stele of Naram-Sin is a relief sculpture and was created in 2,200 B.C.E it is 6 feet high, so it is huge. Victory Stele of Naram-Sin, 2254-2218 B.C.E.. We believe that the brilliant histories of art belong to everyone, no matter their background. Not only is he himself a god on earth but also the humans' intermediary between them and the other gods. In the twelfth century BCE, 1,000 years after it was originally made, the Elamite king, Shutruk-Nahhunte, attacked Babylon and, according to his later inscription, the stele was taken to Susa in what is now Iran. In the 12th century BC it was taken to Susa, where it was found in 1898. Naram-Sin Victory Stele. [Naram-Sin is the partial figure in the upper left portion of the image. Damaged on both the top and bottom, Naram-Sin's stele depicts the king's defeat of the Lullubi peoples of present-day Iran. Damaged on both the top and bottom, Naram-Sin's stele depicts the king's defeat of the Lullubi peoples of present-day Iran. Background: A stele is a monument composed of a single column or shaft typically erected to commemorate an important event or person. The Victory Stele of Naram-Sin is an artifact of the Mesopotamian Akkadian Empire. As he tramples over one of his fallen enemies others beg for mercy (note the one with a broken spear). Victory Stele of Naram-Sin, c. 2230 BC. Are You Thinking of a Career in Secondary Schools? Dr. Michael S. Heiser discusses the Stele of Naram-Sin and the accurate understanding of what the Stele really represents. Victory Stele of Naram-Sin, 2254-2218 B.C.E., pink limestone, Akkadian (Musée du Louvre, Paris) . The Victory Stele of Naram-Sin is one of the most well-known works of art from Mesopotamia, and has been much studied. He was the French Ambassador to Persia, ("NARAM-SIN'S STELE" ). This monument depicts the Akkadian victory over the Lullubi Mountain people. Cite this page as: Dr. Beth Harris and Dr. Steven Zucker, ", Featured | Art that brings U.S. history to life, At-Risk Cultural Heritage Education Series. The king ascends this mountain, literally crushing his enemies underfoot, while his army follows behind. This monument depicts the Akkadian victory over the Lullubi Mountain people. The god-like Akkadian kings ruled with absolute authority. Naram-Sin was Sargon's grandson. This is not just an early example of the "divine rights of kings" but of the actual "divine king.". The subject only includes men, and they are dressed for battle. In the twelfth century BCE, 1,000 years after it was originally made, the Elamite king, Shutruk-Nahhunte, attacked Babylon and, according to his later inscription, the stele was taken to Susa in what is now Iran. Images of the Gods in Naram-Sin Naram-Sin's title was "King of the Four Quarters" meaning "Ruler of the World." The Akkadians under Sargon dominated the Sumerians about 2300 BC. The god-like Akkadian kings ruled with absolute authority. The king also has numerous accoutrements signifying his status and authority: He is wearing the horned helmet showing his god-like status and is carrying numerous weapons including spears and a bow. 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